20 by adding accidentals while bearing the key signature of E-flat major (three flats). īeethoven applied E-flat minor to the slow introduction in the sixth (last) movement of his Septet Op. XV.31 in two movements, composed in 1794/95, one of the "London Trios", is in E-flat minor. In Book 2, both movements are in D-sharp minor. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 1 of The Well-Tempered Clavier by Bach, Prelude No. In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. See also: List of symphonies in E-flat minor
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